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This example features some of Ganesha's common iconographic elements.
A virtually identical statue has been dated between 973–1200 by Paul Martin-Dubost, Ganesha has the head of an elephant and a big belly.
In northern Indian variants of this story, the sons are often said to be Śubha (auspiciouness) and Lābha.
The 1975 Hindi film Jai Santoshi Maa shows Ganesha married to Riddhi and Siddhi and having a daughter named Santoshi Ma, the goddess of satisfaction. Somayaji says, "there can hardly be a [Hindu] home [in India] which does not house an idol of Ganapati. Ganapati, being the most popular deity in India, is worshipped by almost all castes and in all parts of the country".
It was essential to subdue the rat as a destructive pest, a type of vighna (impediment) that needed to be overcome.
According to this theory, showing Ganesha as master of the rat demonstrates his function as Vigneshvara (Lord of Obstacles) and gives evidence of his possible role as a folk grāma-devatā (village deity) who later rose to greater prominence.
; IAST: śrī; also spelled Sri or Shree) is often added before his name.
In one modern form, the only variation from these old elements is that the lower-right hand does not hold the broken tusk but is turned towards the viewer in a gesture of protection or fearlessness (abhaya mudra).Upon Ganesha's forehead may be a third eye or the sectarian mark (IAST: tilaka), which consists of three horizontal lines.Many examples of color associations with specific meditation forms are prescribed in the Sritattvanidhi, a treatise on Hindu iconography.It is his particular territory, the reason for his creation." Dhavalikar ascribes the quick ascension of Ganesha in the Hindu pantheon, and the emergence of the Ganapatyas, to this shift in emphasis from vighnakartā (obstacle-creator) to vighnahartā (obstacle-averter). The muladhara chakra is the principle on which the manifestation or outward expansion of primordial Divine Force rests.The concept of buddhi is closely associated with the personality of Ganesha, especially in the Puranic period, when many stories stress his cleverness and love of intelligence. This association is also attested to in the Ganapati Atharvashirsa.